Among the enduring challenges in art and architectural history is the reconstruction of thephysical form, experience, and context of artworks and buildings in the historic past. Over time, sculpture, paintings, and furnishings have been altered and dislodged from their original locations; the uses and meanings that once animated them have [...]
The scope of the 2nd conference on Transdisciplinary Multispectral Modelling and Cooperation for the Preservation of Cultural Heritage (TMM-CH) is to present the latest developments in research and innovation that identify novel trends to build an interdisciplinary approach to conservation and holistic digital documentation of cultural heritage. The utilization and [...]
Indigenous cultural heritage is the legacy of tangible physical objects combining the intangible aspects of a group of society. Objects, artefacts, buildings, places and monuments aside, intangible cultural heritage, also known as “living heritage” or “living culture”, refers to living practices, representations, expressions, knowledge, and skills passed down [...]
This unique study on 3D digitisation provides exceptional results. It demonstrates that complexity and quality are fundamental considerations in determining the necessary effort for a 3D digitisation project to achieve the required value of the output.
The study led by Cyprus University of Technology has identified all relevant elements for successful 3D digitisation of cultural heritage, classifying them by degree of complexity and purpose or use. The study also looked at what determines the quality of a 3D digitisation project and made an inventory of existing formats, standards, guidelines and methodologies used by the industry. This study (Executive summary in French) also collected a number of projects and success stories serving as benchmarks for 3D digitisation of tangible cultural heritage.
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